31 Days of Scream-O-Ween! - Halloween III

By David Massey

 

One of the more baffling choices made in 1980’s Hollywood was to release a movie about witch toymakers combining computers with pieces of Stonehenge as a weapon to kill children under the title ‘Halloween 3’. Sure, from one perspective, associating this one-off horror flick with a tried and true franchise must have seemed like easy money but the deception reviled audiences and, regardless of the films many qualities, it was a total flop. Now, 30 years later, the film has finally found its cult and Scream Factory has given the unique ‘Halloween 3 – Season of the Witch’ the stand-alone credit it deserves in a 30^th Anniversary “Silver Shamrock” Edition Blu-Ray.

 

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31 Days of Scream-O-Ween! - Scanners 2 & 3 Double Feature

By David Massey

Telekinesis is the subject of today’s double-feature Blu-ray release from Scream Factory. ‘Scanners 2: The New Order’ & ‘Scanners 3: The Takeover’ are more stand-alone interpretations of the themes and scenarios introduced by Cronenberg’s 1981 classic than actual sequels. By all rights, it’s no surprise that few have seen these; they are oozing with an early-1990’s, straight-to-video feel but, as a couple, there is some genuine weight here and both films definitely have their merits.

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31 Days of Scream-O-Ween! - Psycho 3

By David Massey

 

For those of you that thought making a sequel to ‘Psycho’ was a disastrous, shark-jumping moment in cinema history, you ain’t seen nothing’ yet. On Valentine’s Day, 1986, first-time director, Anthony Perkins (Norman Bates himself), released ‘Psycho 3’ and, at the time, no one cared. It’s a shame because, unlike ‘Psycho 2’ – which spent a lot of time and energy reproducing and imitating Hitchcock - this is a totally new and much darker take on a scenario that we already know quite well. Scream Factory’s Collector’s Edition Blu-ray puts it all in perspective and garnishes the film with a hefty ensemble of bizarre features.

  

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31 Days of Scream-O-Ween! - Psycho 2

By David Massey

 

 

‘Blasphemy’ must have been the first word that came to mind for any discerning cinema-goer when Universal announced they were making a sequel to Alfred Hitchcock’s incomparable ‘Psycho’. Now, 30-some-odd years later, the film is little more than a blip lost in the blur of the 1980’s horror extravaganza. It’s easy to forget that ‘Psycho 2’ was one of the most successful summer blockbusters of 1983 (opening the same weekend as ‘Return of the Jedi’) and Scream Factory’s Blu-ray Collector’s Edition is here to remind us why this ambitious thriller deserves to be remembered.

 

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31 Days of Scream-O-Ween! - Dark Angel (AKA I Come in Peace)

By David Massey

 

 

I know it’s not my job to convince you that any of the genre films given the ‘Criterion’ treatment by Scream Factory’s Blu-ray line are cinema genius or, even, classic camp but it is a very thin line between ‘Dark Angel’ and films like ‘The Terminator’ or ‘RoboCop’. That ‘line’, more often than not, comes largely down to budget. ‘Dark Angel’ (or ‘I Come in Peace’ as it will always be to me) is no more far-fetched in story than the films it aspires to be and manages to make up for its small budget with enough pyrotechnic absurdity to make Michael Bay blush and one-liners that could give Arnie a run for his money.

 

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31 Days of Scream-O-Ween! - Day of the Dead

By David Massey

 

Though they’ve lost their fear factor for me, zombie films are my favorite junk food; I just can’t get enough of them and ‘Day of the Dead’ is the peanut-butter-filled Twinkie of the lot. Romero’s original Living Dead trilogy set the standard for American zombie movies and this is the walking dead equivalent to ‘Return of the Jedi’. Scream Factory has presented the film in its most vivid form to date.

 

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31 Days of Scream-O-Ween! - The Town That Dreaded Sundown

By David Massey

 

 

Today we have a fairly exciting edition to Scream Factory’s line of gussied-up cult horror masterpieces. ‘The Town That Dreaded Sundown’ has gotten the cold shoulder from video and DVD releases over the last few decades but, finally, we’re given a beautiful copy of this genre-defining horror classic.

 

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31 Days of Scream-O-Ween! - TerrorVision / Video Dead Double Feature

By David Massey

 

Often, when I see double-feature releases on Blu-Ray, my knee-jerk reaction is that I’m scraping the bottom of the bargain bin. Having only seen bits and pieces of ‘TerrorVision’ as a kid and never having heard of ‘The Video Dead’, I assumed that I was in for a few hours of drudgery. That couldn’t have been further from the truth; ‘TerrorVision’ is a camp classic, oozing with 1980’s kitsch, and ‘The Video Dead’, as shoe-string as it is, wound up being quite a fun little ride. Together, Scream Factory has given us a polished version of the often-hard-to-find gem that is Terror Vision with a bit of a forgotten bonus in The Video Dead and made the package well worth a buy.

 

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31 Days of Scream-O-Ween! - Death Valley

By David Massey

 

 

If you’d heard nothing about ‘Death Valley’ and never seen the poster, you’d get about a quarter through the film still thinking it was an overly angsty kid’s movie about dealing with divorce. To your surprise, you’d find that the film is one of the most gussied-up, glitzy actor'd, low-brow slasher flicks every made, fitting quite well amongst Scream Factory’s Blu-Ray revival of all things weird and terrifying.

 

 Death Valley

The Film:

Despite an impressive cast, it’s really no surprise if you haven’t heard of this one – I hadn’t and I’m a child of the 80’s. In 1982, with slasher films reaching their apex of interest, and audiences demanding more and more outlandish scenarios, director Dick Richards (better known for westerns and noir) set out to make a serious suspense thriller told from a young boy’s perspective. Fortunately (or otherwise), he succeeded only in finding a bizarre new genre-limbo somewhere between ‘Kramer vs. Kramer’ and ‘Slumber Party Massacre’; ‘Death Valley’ is a bit of an awkward fit.

Billy, played by Peter Billingsley (‘A Christmas Story’), is as sublime a ‘natural’ as ever there was in the role of the young boy in question. He lives in Manhattan with his father, a rather sophisticated businessman played by Edward Herrmann (‘The Lost Boys’) and is about to take a vacation out west with his mother (Catherine Hicks – ‘Child’s Play’) and her corn-fed boyfriend (Paul Le Mat – ‘American Graffiti’). There’s no question that Billy is none too pleased at the prospect but he’s immediately shown to be both mature and intelligent enough to cope.

Aside from Billy’s misplaced distrust of his mother’s new beau, the newly-formed family unit begins a trek across the deserts of Arizona with only the mildest of dysfunction in tow. Our first hint that the story will dive into dread comes when Billy notices an ominous old Cadillac passing on the highway; the scene recalls Spielberg’s ‘Duel’ or Carpenter’s ‘Christine’. From here the film spirals down into a bloody-red murder mystery with Billingsley as the hunted witness and Wilford Brimley (‘The Thing’) as the bumbling highway cop without any hope of protecting this unsuspecting family from a mysterious killer.

There really is a punch about a third of the way into the film (around the time we see a completely obligatory topless vixen and tomato-soup-red blood pouring from the neck of a victim – whose killing has no motivation by the way) that the whole tone turns on its head. ‘Death Valley’ feels a bit like 2 movies with 2 different directors - who have vastly different goals - just collaged together without much care or purpose. It’s no wonder that Universal didn’t really know what to do with this one; it sat in a can for over a year before it was released. Purpose aside, I sat down and tried to figure out why this film doesn’t work and, in doing so, I found myself with a list of all the reasons it does: big names, epic cinematography (filmed almost entirely on location), Wilford Brimley, 1980’s nostalgia (see ‘SIMON’), unapologetic child-in-peril scenario, and neon-orange blood splattered across half of the movie. What’s not to like?

 

 

The Disc:

The picture here is gorgeous with the perfect amount of film grain and color saturation but ‘Death Valley’ definitely has the fewest bells and whistles of the Scream Factory releases I’ve viewed to date. The packaging cover has the original one-sheet with some stills on the inside and you get a copy on DVD as well as Blu-Ray. There is an original Theatrical Trailer and TV Spot; one of which (kind of) presents the film like a Dukes of Hazard episode, introducing each of the characters in a folksy who-done-it manner – very odd.

The highlight of the features – and by highlight I mean the greatest amount of good intentions resulting in disappointing results – is the commentary with the director, Dick Richards. In his defense, he has lived a long life and I’m sure this film isn’t the highpoint but his level of disinterest is a bit shocking. By half-way in, almost every question posed by the interviewer results in ‘I don’t remember’ or ‘yes/no’. By the end, Richards seems to be completely ignoring the questions and we get long periods of complete silence. If you are a fan of this man’s work, he does talk quite a bit about his career and it might be worth your time but, otherwise, I’d just focus on the film and give the commentary a pass.

 

The Features:

• Audio Commentary with Director Dick Richards
• Theatrical Trailer
• TV Spot 

The Specs:

• 1080p High-Definition Widescreen 1.78.1
• DTS HD Master Audio Mono
• English-only Audio & Subtitles
• Original Release: 1982
• Runtime: 87 Minutes
• Rated R

 

Final Grades:

• Story: B / If Spielberg made slasher films, this would be his first.
• Presentation: A / The epic desert locations look amazing.
• Scare Factor: C / There are some good ‘jump-out’ bits that might make you jump.
• Gore Factor: D / Neon-Orange blood doesn’t really cut it for true gore.
• Repeat view-ability: D / It drags a bit.

Add Death Valley to your collection, click HERE!

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