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Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts

Monday, September 9, 2013

Music Video: Miley Cyrus - Wrecking Ball

I really like this song. The video is okay. The close-up shots are pretty powerful. Her naked on a wrecking ball seems a little unnecessary but seeing as how Terry Richardson directed it, it kind of makes sense. What do you think? Comment below!


RAWR(for more)

Sunday, September 8, 2013

Music Video: Boy George - King Of Everything



It's 2013 but don't let that fool you because this is in fact a new song from Boy George.

Even more interesting? It's pretty damn good.

Like it?


RAWR(for more)

Wednesday, July 3, 2013

Music Video: Steve Grand - All American Boy





It might be a little soon to call this song a game changer but it just might be.

Steve Grand has just released his first single and video for his song All-American Boy. And...well...it's damn good.

The song tells a story that everyone has experienced: falling for someone you just can't have. The perspective this time just happens to be from a gay guy falling for his straight friend.

Grand is releasing this song on his own. No label, no manager. He is doing it on his own terms and doing it as himself: a gay male country/pop/rock singer. Something pretty much unheard of in the industry, especially in the country industry.

It's an extremely brave and inspiring decision and the fact that this song is connecting with so many people so quickly is just a testament to his talents.

As brave as it is, what might be just as important, maybe more so, is that the song is actually pretty great and the video is an extremely well produced clip. It's a great first single that is already igniting the internet. People are loving it. I bought it myself and have been praising it since I saw the video.  It is just this kind of song that can only open doors for more artists like Steve Grand who have their own stories to tell.  He is an inspiration for sure and he has the talent to back it up and make the suits in Nashville (and in LA) take notice.

Spread it around. Support a great new artist who just released a great new song. He just happens to be gay and that is excellent.

More info:

Facebook
Twitter
Bandcamp


RAWR(for more)

Thursday, September 29, 2011

Music Video: Adele - Someone Like You

 

Took them long enough.   What do you think?  Is it worth the wait?


RAWR(for more)

Thursday, August 11, 2011

Music Video: Michelle Branch - Loud Music




I like!  I'm glad we're getting some new music from Michele Branch finally.


RAWR(for more)

Wednesday, May 4, 2011

Music Video: Eddie Vedder - Longing To Belong



The ukulele is an oft misunderstood instrument.  A lot of people seem consider it a toy for kids to fool around with. It seems as of late, it's getting new life in a wonderful way with Amanda Palmer using one to cover Radiohead songs and now Eddie Vedder of Pearl Jam fame is doing his on "uk" based album, aptly titled Ukulele Songs.

The first single is Longing To Belong and I quite enjoy it.  I can't wait to hear more from the album.

Eddie Vedder's Ukulele Songs arrives on May 31.


RAWR(for more)

Thursday, April 21, 2011

Dirty Vegas' Electric Love Out April 26!


Don’t be fooled by the name, there is nothing dirty about the noise that Dirty Vegas is making in the dance or indie rock scene. The Grammy award-winning triplet return for their soiree into the dance-rock genre, which has been blowing up recently, with the release of their third album, Electric Love (Om Records), out on April 26. And it’s much welcomed. Unlike the recent trend of making rock music sound like dance music (Two Door Cinema Club), these guys, led by vocalist Steven Smith, make dance music that rocks.


Smith boasts his lovelorn lyrics like the Brandon Flowers of yore, before he became all self-important in trying to capture glam-rock status. Although these guys play actual instruments, don’t be fooled by appearances, they’re DJs at heart. Their beats and tempo from keyboards and synthesizers alike speak for themselves in songs “Little White Doves” and their single and title-track, “Electric Love.”


Electronica (and the several genres that have appeared since the heyday of Moby, such as dubstep and drum ‘n’ bass) has come a long way with artists such as Skrillex and Deadmau5, who make half their music on computers. It’s nice to have the sound of a band that actually records their music in a studio. Recorded in London over the span of last year, it is without a doubt that their surroundings had a major influence in their new sound. Their edgier rock sound is reminiscent of UK staples such as The Artic Monkeys and Razorlight.


Their first standout tracks come with their opening numbers, “Little White Doves,” and “Electric Love” with lyrics reminiscent of Morrissey with lines like “I remember what its like to be a victim almost every night” and “I leave my house onto the streets and I’m searching for anything to fill my needs.” Smith spouts out these words in a melancholy drawl behind an upbeat tempo in such a fashion that one questions if they’re having mood swings. This combo is no doubt compliments of their keyboardist/DJ Paul Harris and bassist/guitarist/DJ Ben Harris (no relation). With Smith, they create such a polarizing effect that you start to believe you are bipolar, but for the better.


“Little White Doves” then transforms into an anthem-like chant, as Smith sings “we come like little white doves, little white doves, little white doves, baby” that just makes you want to jump up and down as you shout along. With “Electric Love,” and all other songs, you feel the same effect. These guys know how to make an infectious chorus and one can’t help but to just sing along. Other stand out tracks are the tribal-infused, “Pressure,” and their 80’s pop-gem, “Weekend.”


“It was just purely about getting in the studio and making music,” enthuses Smith. “It brought back so many good memories about starting out, because it took all the expectancy out of the equation.”


Although they had no expectations, the years have made rabid fans expect a worthy follow-up to Grammy-winning release Days Go By, and they don’t fail to deliver. With Jena Malone appearing in their first two videos for “Electric Love” and “Changes,” it’s just a cherry on top for the creme brulee of the dance world. Electric Love made me believe in love at first listen. But buyer beware, codependency might ensue.


RAWR(for more)

Wednesday, October 20, 2010

Music Review: Meat Beat Manifesto - Answers Come in Dreams




For his follow-up to 2008’s Autoimmune Meat Beat Manifesto’s Jack Dangers has stepped away from that album’s counterculture party vibe and into a darker territory than we’ve heard before. Answers Come in Dreams is a 180-degree turn from the more playful Meat Beat Manifesto (or MBM) we’ve seen since Dangers took the group on tour several times from 2005 through 2008.

Feeling somewhat close in spirit to 2002’s R.U.O.K.?, Answers Come in Dreams is a slower, more sinister, and much less fun affair that demands focus. Dark dub, plodding downtempo rhythms, and deep curdling bass lines define the majority of the tracks here. Save for a single repeated phrase on the track “Quietus”, there are almost no vocals, from Dangers or his usually-excellent samples – though a familiar one pops up in “Zenta!”. Because there are fewer samples, scratches or other MBM staples present, the creepiness and isolation evoked is made that much clearer. In the hands of a less experienced musician, these tracks could sound simplistic or even boring, but the sounds Dangers uses to fill in the layers are so rich and textured that even on a lossy .mp3 you can’t help but be drawn in.

Answers Come in Dreams’ style is best exemplified on “Waterphone”, which bubbles its way through nine-plus minutes of eerie funk that will have you both nodding your head and looking over your shoulder. It’s also the track with the most progression, containing more distinct sections than the rest. Opener “Luminol”, for example, doesn’t change much in its six minutes, but the drums hit hard enough that you don’t really want it to, either.

The most experimental (and darkest) track is “Token Words”, a droning ambient piece that belongs in a horror film score. Play this one on your system at Halloween and be the scariest house on the block! On the other hand, “010130”, which sounds like drukqs-era Aphex Twin, skitters along so pleasantly that at first it felt out of place. Rather, it serves as a nice thematic shift to set up the album’s final three tracks, which are slightly more upbeat and a tad sunnier than the rest. “010130”, at just over a minute, is also criminally short, especially on a disc where the average track time is over six minutes.

Although the not-so-hidden acronym in the album’s title may clue you in on how it’s best experienced, to become fully absorbed in Dangers’s atmosphere requires only open ears and an open mind. Patient listeners will be rewarded in full.

Pop Culture Beast score for Answers Come in Dreams: 8/10

Answers Come in Dreams is out now on Metropolis Records.
Pick it up on Amazon here or on the Metropolis site here.


Purportedly, every track on the album is to have an accompanying video, though so far only “#Zero”, “Quietus”, and “Mnemonic” have been released.

Check out the video for non-album track “Totally Together”, from the EP of the same name:



RAWR(for more)